The Project Gutenberg EBook of The Cockatoo's Story, by Mrs. George Cupples

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net


Title: The Cockatoo's Story

Author: Mrs. George Cupples

Release Date: June 5, 2007 [EBook #21685]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK THE COCKATOO'S STORY ***




Produced by Marilynda Fraser-Cunliffe, Janet Blenkinship
and the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was made using scans of
public domain works in the International Children's Digital
Library.)






cover

THE

COCKATOO'S STORY.

By

MRS. GEORGE CUPPLES.

WITH 12 ILLUSTRATIONS.

London:
T. NELSON AND SONS, PATERNOSTER ROW.
EDINBURGH; AND NEW YORK.
1881.

cover
A GREEDY DOG Page 80.

THE COCKATOO'S STORY.

capital I

begin to be ashamed of myself—I really do," said a white cockatoo, as he sat on his perch one day. Then he gave himself a good shake, and after walking up and down once or twice, he continued, "I think it vexes the boy, and I can see he means to be kind. And, oh dear, dear! I see now I brought the troubles on myself."

"Kind!" screamed a small gray parrot from a perch on the opposite side; [Pg 8]"of course he means to be kind. You won't often meet a kinder; let me tell you that, sir. If I could only get this chain off my foot, I'd come over and give you as good a pecking as ever you got in your life, you sulky, ungrateful bird you! And then Master Herbert stands, day after day, trying to tempt you with the daintiest morsels, and there you sit and sulk, or take it with your face turned from him, when hunger forces you."

"There is no need to be so angry, old lady," replied the cockatoo. "Didn't you hear me say, I begin to be ashamed of myself? But if you only knew how I have been used, you would not wonder at my sulks."

"Oh, if you have a foundation for your conduct, then I'll be happy to retract," said Mrs. Polly, walking about her perch very fast indeed, and [Pg 9]ruffling up her feathers as she walked. "No bird I ever had the pleasure of living beside could say I was unreasonable; so please state your case, state your case—I'm all attention, at-ten-tion;" and she lengthened out the last word with a shrill scream peculiar to parrots.

"But it would take ever so long to tell," said the cockatoo, "and my feelings or my nerves have got the better of me at this moment, and I really couldn't; only if you heard my history you would think it very wonderful indeed;" and here Mr. Cockatoo lifted up his foot and scratched his eye.

"A history, did you say?" said the gray parrot, pausing in her walk along her perch, and looking at him over her back. "Pray, how old are you, may I ask?"

"Well, I'll be about two years old," said the cockatoo, straightening [Pg 10]himself up, and looking over to the gray parrot, as if he expected the news would surprise her greatly.

"Ha, ha, ha!" laughed Mrs. Polly; "two years old, and has a history! Oh dear! my old sides will split. What a youth he is, to be sure, ha, ha, ha!"

"I don't see anything to laugh at," said the poor cockatoo, collapsing into his sulky state once more. "I tell you I have a history, and a wonderful history too. I wish you would stop that chatter."

"Boy, boy, you'll be the death of me," said Mrs. Polly, not in her own language, but in the words taught her by Master Herbert.

"Oh, if you are going to speak in the language used by these abominable people who keep us here as prisoners and slaves, I've nothing more to [Pg 11]say," said the poor cockatoo, scratching his eye once more.

"Well, I won't then," said Mrs. Polly graciously. "I have been told it is the height of bad manners to speak in a foreign language, if it is not understood by your companion, so I shall confine myself, when addressing you, to my mother tongue. And now, since you have told me your age, would you like to know mine?"

"Yes," said the cockatoo, for he really was a little puzzled as to Mrs. Polly's behaviour.

"Well, I'm seventy years old!" replied Mrs. Polly, drawing up her neck as far as its limited length would permit. "And now you can understand why I laughed, sir; for it did look a little absurd to hear a bird of your tender years speaking of a history. Think what mine must be, and what I must have come through and seen in my long life!"[Pg 12]

They were here interrupted by the appearance once more of Master Herbert, who brought a most tempting piece of cake in his hand. Going up to the cockatoo, he said, "I suppose I needn't offer you this, Cockatoo. You are determined not to be friends." The cockatoo put out his claw for it, and took it gently from Herbert's hand, who could not fail to see there was a marked difference in the bird's appearance.

"Good boy, good boy!" shrieked the gray parrot from her perch, quite forgetting she had promised never to speak the English language, in her eagerness to mark her approval of his conduct. "Now, if you really would like to please Master Herbert," she continued in her own parrot tongue, "I'd say the words he has been trying to teach you for days. Come, out with it, old boy;" and again she relapsed into the English language.[Pg 13]

cover
CAKE FROM MASTER HERBERT. Page 12.

[Pg 14]

[Pg 15]

The cockatoo looked into Herbert's kind eyes, and said as plainly as he could, "Pretty Cocky."

"Oh, you can speak after all," said Herbert. "Well, now, that's jolly; I thought you were going to be a good-for-nothing stupid creature. Come now, say it again; but give us the whole of the word."

Assisted by Mrs. Polly's "Out with it, old boy," the cockatoo tried his best, but could only get the length of "Pretty Cockat——" However, Herbert was content with this for a beginning, and turned to the gray parrot with a kind inquiry after her health; who instantly replied, anxious perhaps to make up for her companion's tardiness, "Thank you, sir; how d'ye do?"

"I'm glad you're clever, Mrs. Polly," said Herbert. "Uncle James was just saying to Lucy the other day, you were[Pg 16] the cleverest parrot he ever saw, and he has brought home dozens now." Mrs. Polly did not understand all her young master said; but she knew by his voice and eye he was praising her, so she said, with a pretty courtesy, "Thank you, sir!" which made Herbert laugh very heartily; and when he further requested her to dance, she did so at once, whistling a tune to herself for an accompaniment. "Do you know, Mrs. Polly, you are to have another companion very soon?" said Herbert, giving the gray parrot another piece of cake. "He's a great scarlet macaw, and Uncle James says he is getting him sent from South America. Oh dear! I should like to be able to understand your chatter—I mean your own language, Polly—because you could tell such a great deal about the different countries you have come from. There's[Pg 17] Cockatoo, he could tell us about the Indian Islands, and Borneo;—that was where Uncle James brought you from, sir, when he was on his voyage to Canton. He got ever so many birds of paradise, too; for, luckily for him, they had just come over from New Guinea, and the other islands where they generally stay. Oh dear! I do wish I understood your language," he repeated again.

At this moment, a great humble-bee came humming in at the window; and on looking up, what should Herbert see but a tiny fairy sitting on its back! In a moment the bee lighted on the table, and stopped its humming; and then the fairy's voice could be distinctly heard, as she stood up on the back of the humble-bee, saying,——

"Little boy, with eyes so blue,
You are kind and you are true
To the birds, the beasts, the flowers,
Their language we will make it yours:
Then listen to Miss Polly's speech,
And hear what lesson she will teach."

[Pg 18]With these words she waved her shining silver wand, and touching him first on one ear, and then on the other, as she rode past him, was borne away out of the window once more, on the back of the humble-bee.

Herbert didn't know very well what had happened, and thought he was dreaming, till he heard Mrs. Polly saying to the cockatoo, "Now, sir, if you sulk, Master Herbert will know what it's for."

"I say, Polly," said Herbert, "am I really to understand your language? Did you see the fairy too?"

"Oh yes, sir," replied Mrs. Polly. "I saw her, and heard what she said; and let me tell you, sir, it isn't every boy that receives such a reward; but you must have pleased the fairy Fauna, by being[Pg 19] kind to all the creatures, great and small. Yes, she has heard no doubt how you open the window, and put the bees and the blue-bottle flies out, instead of killing them. I shouldn't wonder if it was that great spider whose life you spared who told her. You remember your cousin Dick wanted to kill it; and I noticed she guided the bee with threads from a spider's web."

"Well, I'm very glad," said Herbert laughing. "I must say the reward is greater than I deserve, for it seems an easy thing to be kind to animals and insects."

"It's not such an easy thing as you think, sir," said Mrs. Polly. "I've lived seventy years in this world, and I've kept my eyes wide open, and I've seen boys, ay, and girls too, do very cruel things to dumb animals."[Pg 20]

"Dear me, Polly, have you lived seventy years?" replied Herbert in much astonishment; "I had no idea of it. Uncle James says parrots live to a great age—he knew one that was a hundred years old; but somehow I thought you were quite young. I mustn't ask you to dance quite so often, for your legs must feel rather stiff at times. But what was that the fairy said you could teach me? Is it a story? I must hear it."

"Very well, sir," said Mrs. Polly, courtesying again, just to show how agile she was, for she did not like the idea of her old legs being thought stiff. "But before you came in, Mr. Cockatoo was preparing to tell me his history, the history of his life. He is two years old, Master Herbert, and as he fancies the world has ill-used him, I think it would make him more comfortable to tell his story first, if you don't mind, sir."[Pg 21]

"Oh, very well," said Herbert, delighted to think that he could understand the cockatoo also. "But I must not forget my lessons. I shall go now and learn them; and in the afternoon, when you are in your cages, I will bring the fish-hooks I have got to make, and while I do them we can listen to the story."

"We shall be all the better of a few quiet hours," said Mrs. Polly, who was very fond of a nap in the afternoon, especially after partaking of rich cake. "Dear me, Master Herbert, one gets quite stupified looking back into one's life. We'll lay our brains in sleep, sir, while you're at your lessons. Good-day, good-day." Out of compliment, she finished off with Herbert's own language, though had she said it in her own he would have understood it quite well. But Polly hadn't lived for seventy years for nothing.[Pg 22]

In the afternoon the cockatoo's cage was placed at the open window, Polly preferring to have hers on one side, to be away from the draught; and when Herbert had got his box of hooks, and his coloured feathers, and reels of silk placed conveniently, he bade Mr. Cockatoo begin his[Pg 23] story.

cover
LISTENING TO THE COCKATOO'S STORY. Page 22.

"You said some time ago, Master Herbert," began the cockatoo, "that I[Pg 24] was brought from the Indian Islands; and I suppose you're right, sir, though I can't say I ever heard the name before to-day: all I can say is, I remember the place well. When I popped my head out of my shell, I found other three heads had done the same, so I was the youngest of my family. A sad circumstance for me, as you will see. There we lay, without a single feather, and not even a particle of down to cover us, our heads feeling far too large[Pg 25] for our naked bodies. We had to be as patient as we could, down in our nest in an old rotten tree, till the down began to come; but it was three or four months before we were fairly covered with feathers. Somehow, being the youngest, my feathers were longer of coming than were the others; and when our mother was out of hearing, my brothers would laugh at me, and make fun of my big head—for it certainly was a very large head. This treatment spoiled my temper, and I would sit and sulk by myself, taking a delight in refusing to join in any of their sports when a fourth was required. I used to creep up to the top of the tree, and sit trimming my feathers, spreading them out and trying to make the most of their scanty appearance, till my patience was rewarded; for beyond a doubt, at the end of the fifth month my plumage was[Pg 26] something wonderful to behold for beauty. As for my head being large, it now helped to show off the splendid yellow crest; and the awkward look was quite gone. Still my temper hadn't improved; indeed I think it was worse, for conceit was added to my other bad qualities; and when I would have liked to be amiable and join the merry flock of cockatoos that lived in the trees near us, they would have nothing to say to me. My mother used often to moan and vex herself about me, and she did her best to keep as near me as she could, warning me that it was not safe for a cockatoo to wander far from his home. And then she would tell me of wonderful escapes she had made in her day, both from wild animals and the snares of wicked men. Though these stories frightened me terribly, I must own, making my crest stand up with fright to hear her, still I[Pg 27] used to beg her to tell me more, for it was often a change from the dull hours I spent; and I must say my mother behaved in a most amiable manner towards me.

"Then she would take pains to show us what kind of fruits to eat, warning us particularly against the fruit of the cotton-tree, which, though pleasant to the taste, was a dangerous one for taking away the senses. Ah, if I had only followed her advice! Still, with my mother for company now and then, my days were very happy, in spite of the coldness and dislike of my brothers and their young companions. Indeed, living in my lovely home, it would have been strange if I had felt anything else. How often since, while sitting in this cage or on my perch, have I thought of those happy days of freedom! Forests of woods and grasses, bear[Pg 28]ing the most lovely flowers and the most delicious fruits, from the edge of the sea to the top of the mountain. And then the clear cool water, where we could plunge ourselves several times a day;—how different from the small quantity Marjory allows me! We lived close to the banks of a small river; and oh, it was so delightful, after plunging into the water, to keep shaking my plumage, until the greater portion of water was out, and then sit in the sun till I was quite dry! There were no men on our island, else I should have remembered seeing them; and nothing ever disturbed our slumbers, save the wild pigs that sometimes went about routing and grunting, or a cry from one of our band.

"And so time passed on, till we were a year old, when one day we were startled by hearing screams from a thicket not far[Pg 29] off. On getting along as fast as I could, I met my brothers flying from one branch to another in the direction I was coming from, who screamed to me to escape, for an enemy was at hand. One of them said something about my mother, but what, I could not make out clearly; only I knew she was in[Pg 30] danger somehow. I was in such a hurry to get to see what had happened to her—for I did love my mother—that I positively took a good long flight, and landed on a tree some distance off. Then, what was my[Pg 31] astonishment to see a great large face, quite different from anything I had ever seen before, looking at me from round the trunk! And there, too, at the bottom of the tree, lay my poor mother, evidently dead. I heard him cry to another man below to hand him up his bow and arrow; but before he had got it I flew off once more, taking a longer flight than before. An old cockatoo told me afterwards that very likely my mother was not dead, but that she had only been stunned, as those men would[Pg 32] have a button on the arrow to prevent it from killing her. It took me ever so many days to find my way back to my old home; and when I did find it, not one of my old companions was there. Gloomy though my disposition was, still I did not like the idea of living alone, and I set out to try to find them. On my way I met an old cockatoo who had been a friend of my poor mother's, and who like me had lost her companions, so we agreed to go on together. I found her a most intelligent companion, and she was very useful in showing me what fruit was good for eating, for there were many new kinds. She showed me some curious birds'-nests, and told me that men ate them; and a[Pg 33] good hearty chuckle we had over it, you may be sure. We regaled ourselves by picking out the pulp of the banana, the palm, the lemon, and the berries from the coffee-tree; and coming upon an almond-tree, we stayed under it for a whole week. Then we proceeded on our journey. We must have travelled miles, and we were beginning to despair of ever seeing the flock again, when we heard a great chatter chatter, and in a few minutes we came in sight of a great number of birds of different colours, in earnest conversation.

cover
DANGEROUS COMPANY. Page 29.

"'Stop, my boy,' said my companion; 'we had better not show ourselves for a little. They may be friends; but birds though they are, if they see anything strange in our appearance, they will fall upon us, and may peck out our feathers, if not our very eyes.'"[Pg 34]

"After waiting for a little," continued the cockatoo, "and after listening very hard, my companion explained to me she thought we might venture to join the group; for if they weren't cockatoos, they were our cousins the parrots; and in a minute more she spread out her wings, and alighted in the midst of them. They were somewhat startled at first; but on her explaining why she was there, they received her very kindly; and she then called out to me to approach, for I had waited in a bush out of sight, feeling a little shy and nervous. They were greatly delighted with my appearance, and I fear they quite turned my head by their praises. I know I gave myself airs, and strutted about in a manner that would have vexed my poor mother, could she but have seen me. My companion over and over again reminded me to beware of[Pg 35] conceit, saying that even in a cockatoo it was a dangerous thing to carry about with one; and that though our cousins were pleased with me at present, they would tire of praising me by-and-by, if they saw how foolish it made me. But I was only a year old at that time, and had always been a little headstrong and difficult to manage.

"As my old friend had said," continued the cockatoo, "my newly-found cousins were not long in finding out my bad qualities, and they were almost harder upon me than my own brothers had been; which caused my temper to give way again, and from being a very frank, obliging bird, I became quite a cross, ill-natured one. One day I had retired to the woods, and was sitting sulking by myself in a bush, when the old cockatoo came and perched herself on the branch[Pg 36] above me. For some minutes she sat looking at me without uttering a sound; but every now and then she would shake her head, or raise up her crest in rather a fierce manner. At last I couldn't stand it any longer, and I cried out in a very angry tone of voice, 'Why, what do you mean by looking at me like that? I would rather not be disturbed.' And I gave a very ugly and angry screech.

"'Cockatoo,' said she, 'I am grieved to the heart by your behaviour. Take my advice, sir, and mend your ways, else I fear something bad will come of it.'

"'I will not be interfered with,' I said; 'and I don't care if you never speak to me again;' and I screeched louder and uglier than before.

[Pg 37]

cover
UNWELCOME ADVICE. Page 36.

[Pg 38]

"I must say she was very good to me, though I couldn't or wouldn't see it at the time; and seeing that I was determined[Pg 39] to be sulky and ill-natured, she left me. Two or three days after, a green parrot, that my friend had warned me against, came and sat in a bush near me. He kept chattering away to himself,—speaking about the hard way he was used by the other parrots, and threatening to fly away and see them no more. Now, I had noticed they were rather severe upon him, but I also knew he was not a well-behaved bird by any means; but in my present state of mind I couldn't help pitying him.

"Creeping along the branch, I ventured to inquire what was the matter, when he poured into my ears a perfect shower of complaints against his brothers and sisters, friends and companions, and even against his parents. Two or three times I tried to get in a word of inquiry as to whether some of his trouble had not[Pg 40] been brought on by his own conduct; for at that moment I remembered how gently my mother used to speak to me when I used to rage against all the cockatoos in my happy home by the bank of the river. However, it was useless to interfere with him, for the mere mention of the idea made his rage something fearful to witness. The sight of him called to mind, too, what my mother used to say to us when we lay curled up snugly in our nest in the old tree, before my brothers had learned to tease me. 'Children,' she used to say, 'a beautiful plumage is all very well, but a happy-looking face, and a kind, amiable disposition, are to be prized far before the loveliest coloured feathers.'

"This parrot now before me was as lovely a bird of his kind as one would wish to see; but his face was purple with rage, and his lovely feathers were all ruffled[Pg 41] and rumpled with passion, so that any kind of feathers might have served him equally well.

"I cannot tell how it was," said the cockatoo, "but from that time I was always meeting the discontented parrot; and we gradually got more and more intimate. My good friend, the old cockatoo, did not hesitate to warn me against my companion; but I was angry with her, because I fancied she lectured me, having no right to do so, and treated me as if I had been a perfect baby. Then one night, after a long conversation with the parrot, I agreed to fly away with him, and seek our fortunes on some other part of the island. It was arranged that we should set out the next morning before the sun was up; for the parrot thought if he went away in open daylight, his father, who was a very fierce parrot, would[Pg 42] interfere with our flight. I cannot tell you why I felt sorry, after the parrot left me, at the idea of leaving my good, kind friend, the old cockatoo; but I really was. She had been so good to me, and had so much to tell me about what she had seen during her long life, and in her travels, that time passed very quickly indeed. That evening, too, when I had retired to the branch I had selected for my sleeping-place, I overheard a conversation between a very large mother parrot and her three young ones, that somewhat filled my heart with alarm. 'Be[Pg 43] contented, children,' the mother parrot was saying. 'I have known many parrots come to an untimely end, because they were always wanting to see what was beyond the trees and bushes of their own home. I remember my grandfather telling me about how a brother and he had strayed away far into the[Pg 44] woods, and they were overtaken by the darkness, and were forced to remain in a tree all night. But he had not fallen asleep long when he heard a great shriek; and on opening his eyes, what should he see but an immense ape clutching his brother by the throat, and carrying him away up to the top of the tree out of sight. It was all my grandfather could do to get his wings to carry him home, he was so weak and faint with the fright; and never again did he wander from his companions.'[Pg 45]

cover
A LESSON IN CONTENTMENT. Page 42.

"Oh, that I had listened even then to the old mother parrot's wise advice!" said the cockatoo, as he scratched his eye. "Ah, sir," he said, turning to Herbert, "it's harder to bear troubles when they come upon us by our own folly.

"The sun was scarcely up when the green parrot was beside me; and as I had[Pg 46] promised to join him, I did not like to hesitate or draw back now. So we set out on our travels, without even saying good-bye to any one. For days we travelled on through the forest, and a happy enough time it was; for my companion was apparently delighted at the idea of his freedom, and chattered away in a very amiable manner. But toward the end of the third day we were startled by hearing strange sounds; and on peering down from the branches, we saw a man. I did not know he was a man at the time; but I found out to my cost what he was only too soon. He had some dogs with him, and seemed to be waiting for something, for he peeped cautiously round a tree every now and then, bidding the dogs lie close. Then in a moment came a fearful crack from a gun he carried, and something gave a great roar and a wild snort, and I nearly lost[Pg 47] my senses with the fright. It was all I could do to clutch on by the branch, my legs shook so with fear; and as for my companion, if it hadn't been for falling into a cleft in a branch, he would have gone straight down on to the man's wide-spreading hat. The cry had come from a boar, which lay dead or dying; and in a very few minutes the man had fastened something to his legs, and began dragging him away, while the dogs capered, and danced, and barked round them.

"You may well believe we felt no anxiety to continue our travels, for a little. There were not many trees near us with fruit that we cared for, except a cotton-tree; and I ate and ate, wondering why my mother could have been so stupid as to say its fruit was not safe. But all at once I began to feel my eyes shutting; and to rouse myself I flew on to another[Pg 48] tree, where my companion soon joined me. Though it was broad daylight, I was as sleepy as if it had been the dead of night; and I recollect nothing more, till, on opening my eyes, I found myself in a dark, dingy place, and heard strange noises—grunts coming from under my feet, cries from every side; and then such a number of strange-looking creatures all about, and one quite different in colour from the others standing near where I was tied; for I soon found I was securely fastened by the foot."

"That was my uncle," said Herbert; "and he told me how he had found you and your companion quite stupified with eating the cotton seeds; and that was a Dyak log-house you were in."

"When I recovered my senses," said the cockatoo, "I had been taken on board ship, and placed in a large wicker-cage.[Pg 49] There were ever so many more birds in the ship, but I did not see them then, and thought I was quite alone. However, I had not been many hours in my cage when, to my horror, a large monkey came and stared at me, putting his ugly hairy face so close to the cage, that it was all I could do to scream with fright. At first the men drove him away, but they were soon too busy to pay any attention to my cries; and somehow I got to be less frightened, when I saw that he couldn't get near me, though he tried ever so hard. Round and round he went, tugging at the bars in vain; then he mounted on the top, and peered at me through the openings, grinning in a very ugly manner. Now, I had always been considered a bold cockatoo, and anything but a coward; and so, when I saw his tail sticking between the bars, I flew down to the bottom of the[Pg 50] cage, and seizing it, gave it such a bite that I nipped the piece quite out! Away he went, howling and yelling; but though he showed it to ever so many of the men, they said it served him right for teasing me.[Pg 51]

cover
THE COCKATOO'S REVENGE. Page 50.

"It was, no doubt, very dull, but I was greatly cheered by the company[Pg 52] of a little girl, the daughter of one of the passengers. She used to come down every morning, and chatter away to me about all sorts of things, not one of which I understood, except that she always called me Pretty Cockatoo, as you do, Master Herbert. She knew, too, what I liked to eat, and would bring me almonds, and fruit, and sweet cake, and would stay chattering away to me while I ate them. Soon I began to weary for her coming, and would sit counting the hours, and forgetting my wrongs, while waiting for her to come[Pg 53] again. I liked the almonds, of course; but I liked to see her face, and hear her kind voice, far more. And I think I was less sulky and unhappy during that time than I had been all my life. It was the parting from her that upset me, and made me fall into a gloomy and sulky state of mind. I well remember the last day we were together. She came to me with a piece of cake she had saved for me from her own lunch; and I seemed somehow to understand what she was saying. I felt at the time she was asking me to be a good bird; but now that I have known you, sir, so long, and am better acquainted with the English language, I know she told me how much happier I should be if I were good. 'Oh fie, Cockatoo,' I think I hear her saying, 'how naughty of you to bite the captain's finger; you ought to be a good bird, sir,—and he is[Pg 54] so kind to you, and all the birds aboard.' It was all very well for Miss Maud to speak of the captain being good; but I could not forget he had taken me from my home, and made me a prisoner. Ah, sir, you would not like to have your liberty taken from you; you would feel it hard; and you would look upon the person who held you captive, however kind he was, as a foe instead of a friend."

"And are you still longing for your freedom so much, Cockatoo?" said Herbert, who could not bear the idea of any of his pets being unhappy.

"Oh yes, sir," said the poor cockatoo. "I often feel how delightful it would be if I could get this ring off my foot and fly away to the shrubbery; and how I should rejoice to plunge in that little pond where you have your gold-fish."

"Now, I should like to give you your[Pg 55] heart's desire, Cockatoo; but if I set you at liberty in this country you would die. We have no orange, lemon, or coffee trees in our garden; and though we have apples and pears in plenty, you could not stand the long cold nights. But I'll tell you what I will do: if you will make a promise not to fly far, and to return to your cage when I call you, I shall let you free to fly about in the shrubbery; and you can bathe in the pond, if you do not harm the fish."

"Oh, thank you, Master Herbert," cried the cockatoo. "I'll come back at a moment's notice,—I really will."

"Mee-a-ow, mew," cried Polly, imitating the cry of a cat. "Beware of Miss Puss."

"You're right, Polly; that is very amiable of you," said Herbert. "Now, here goes, Cockatoo, and I shall expect[Pg 56] you to report yourself, as uncle might say, in an hour's time." With that he opened the cage door, and with a glad scream away flew the cockatoo.

"I don't know if I have done right or not, Polly," said Herbert. "I hope he will return, else my uncle will be very angry. He thought Cockatoo was the finest bird he had ever seen of the kind. Come now, Polly, you promised to tell me your history after Cockatoo had told his."

"Oh no, sir, I made no promise," said Mrs. Polly, walking up and down the perch very fast, turning at each end with a graceful and coquettish air. "After such a wonderful story as we have heard, it would quite spoil it to listen to such an old, humdrum affair as mine."[Pg 57]

cover
FREEDOM FOR AN HOUR. Page 56.

[Pg 58]

"Now, Polly, don't be cross," said Herbert; "the fairy must have fancied you[Pg 59] could tell a good thing, else she wouldn't have said what she did."

"Oh, she had no idea I could tell a story," said Polly; "she only meant that, considering my great age, I ought to be able to give you a word of good advice. She only said it out of politeness."

"A fairy would be sure to know all about you," said Herbert, "and would never say what she didn't mean."

"Ah, there's more than fairies do that," said Polly, pausing to shake her head. "I once knew a little boy who said to his cousin, 'Oh, I hope your mamma will let you come again on Saturday;' and then, when his cousin was out of hearing, he turned and said, 'I hope he won't get leave to come, he's such a cross-patch.'"

"O Polly, what a sly rogue you are! I see I shall have to be careful what I say before you," said Herbert.[Pg 60]

"I hate deceit," said Polly. "Ah, I knew a man who was well punished for a fine trick he played; and about a bird of my species, too."

"Do tell it me, Polly, there's a dear," said Herbert.

"Well, I was once the favourite Polly of an old bird-stuffer," said Mrs. Polly; "and great pains he took to teach me many songs and words of your language, and very proud he was when I managed to say them. He was so very fond of me, that after I had gone to bed, with my head on my back, he would creep downstairs and repeat the words he had been dinning into my ears all day; and just to get rid of him, more than to please him, I used to say them correctly, and so off he would go to bed as pleased as possible. One day a gentleman brought two birds to be stuffed, and I heard him say they[Pg 61] were trogons. Now, they are very rare birds; and after the gentleman went away, my master exclaimed, 'I have long been wanting a bird of this kind. I think I could manage to make one to myself out of some of the feathers!'

"Now, the very night before, my master had come down with his red night-cap on his head to teach me to say, 'Honesty is the best policy;' because he wanted me to call out to the servant-maid, 'Who stole the tea?' and finish off with the other as a warning. So I said under my breath, but loud enough for him to hear, 'Honesty, sir, is the best——;' and then screamed out, 'Who stole the——? Oh, fie for shame!'

"You should have seen how he started, Master Herbert; but he went on with his wicked intentions, and actually kept back every third feather, making a bird to resemble a trogon out of them. When he[Pg 62] tried to get me to say that about honesty, I never would do it again, but kept saying instead, 'Oh fie! Who stole the feathers?' And the more he wanted me to change the word into tea or sugar, the more I cried 'feath—ers.' He was so angry with me about it that he sold me to an old lady, who took me away in her carriage."

"But where did you come from first of all, Polly?" said Herbert. "Where were you born?"

"I really cannot tell you, sir," said Polly. "I have heard the old bird-stuffer telling people I was a native of Western Africa, but whether that was true or not I do not know. All I can recollect of my first home was sitting beside an old parrot like what I am myself now, who, I suppose, was my mother; and on looking round, I saw a strange animal glaring at me from the trunk of the tree behind. I[Pg 63] fluttered and screamed, but my mother did not seem to fancy there was any danger, till, all at once, she was pounced upon by the animal, and dragged away, and I never saw her more. Then I crept back into the nest, and lay half-dead with fright, moaning and crying at times for very loneliness; but she never came. And even now, Master Herbert—would you believe it?—I keep thinking of that dreadful time, and I have to shriek out for some relief to my feelings. You often ask me what I am crying for, but you will know now. And you often wonder why I won't be friends with the cat, and try to bite her when I get a chance. Well, the animal that stole my mother was so very like a cat, that I cannot help hating everything that looks like one.—But don't you think, sir, Mr. Cocky is staying out beyond his time. I am not sure of him, sir. Re[Pg 64]member, by his own showing, he was an ill-behaved, ungrateful bird in his youth."

"Yes; but, Polly, don't you think he has some good qualities too?" said Master Herbert. "I liked to hear him tell how he went to look for his mother, when the rest were running away, leaving her to her fate. I really think, if his brothers had been kinder to him he would have been more amiable. And papa often tells me that if he sees a boy kind to his mother, he is pretty sure to turn out a good man in the end. But tell me, Polly, how you got on after your mother left."

"Well, sir," continued Polly, "as I sat looking out of the nest in the tree, another parrot came and sat beside me, asking all sorts of questions as to where my mother had gone; and when I told him, he stayed and took care of me. I suppose he must have been my father. But before I was[Pg 65] many months older, I was knocked down off the tree, just in the same way as Cockatoo says his mother was knocked down, and I was put into a cage and carried away along with ever so many birds. I've scarcely any recollection of living out of a cage, sir, or off a perch, the time I stayed in my native woods being so short, and so very long ago."

"And how did you like the old lady, Polly?" inquired Herbert.

"Oh, very well indeed, sir," she replied. "I had plenty to eat and drink, and a very fine brass cage to live in, and a servant to attend to my wants along with the other birds my mistress had. I cannot say I was ever troubled with a restless disposition,—owing, I suppose, to my having been taken from my native land when I was so very young,—and I always felt very happy. My mistress took[Pg 66] a great deal of notice of me, teaching me a great many things, and particularly songs. I used to sing a verse of an old song called 'Crazie Jane,' and another called 'The Maid of Lodi,' which used to be a great favourite with my mistress; and when I saw her coming in with some dainty bits from the dessert after dinner, I used to dance about my perch, and cry out,—

'I sing the Maid of Lodi,
Who sweetly sung to me,'

which used to make her so happy, poor old lady. But I am sorry to say my singing led me into some trouble. I used to be put in the kitchen at night to benefit by the heat of the fire, and I used to be teased a good deal by the servants to sing. Now, it was past my usual bed-hour when I was taken to the kitchen, and as I always went to bed at sunset, I[Pg 67] used to be quite angry with them, and would say all sorts of impudent things instead of singing. But, as they would then walk away with my dishes, and threaten to pour water on me if I didn't do what they said, in desperation I would sing my songs to get rid of them. One young woman, the lady's-maid, was particularly tormenting in this way; and when Tom, the footman, tried to teach me a new song, I could not help noticing she was in a great fright. I pricked up my ears at once, and showed Tom I was all attention. In a very few days I could say it quite correctly, but no one knew of it except Tom. Seeing the lady's-maid preparing to go out one day, and dressed in her very finest clothes, I took the opportunity to ask her for a drink of water, my dish being empty; but she was in a hurry, and cross at something, and instead of re[Pg 68]plying civilly, she made such an ugly face, and flapped her handkerchief at me. My mistress, who was going out too, had her back turned at the moment, else the maid had not dared to do such a thing. But I had not learned to bear insults quietly then, and was young and hot-headed, so, thirsting for revenge, I screamed out what Tom had taught me:

'How happy you shall be
With your bold soldier boy!'

How frightened she did look, to be sure! Up she came to the cage, and in the most coaxing voice said, 'Pretty Polly! would Polly like some fresh bread and milk?—Oh, please, madam, wait till I get Polly some food! Her dish is quite empty, poor, dear bird!' and away she flew to fetch me some.

"'Why, what's Polly saying, Emma, about a soldier?' said my mistress sol[Pg 69]emnly. 'Now, you know I abhor soldiers.'

"'How happy you shall be!
Come with me—you shall see
Your bold soldier boy!'

I sang out again, dancing about my perch in great delight at the mischief I was causing.

"'Emma, what do I hear?' said my mistress. 'Have you still anything to do with that soldier, after what I said?'

"And now I began to feel sorry for poor Emma, who fell a-crying, and held up her hands in despair or entreaty. Then I thought to myself, what good had my revenge done me? So hoping to help her out of the difficulty, I called out, 'Tom, Tom, Tom! Come here, sir! Oh fie!'

"Tom was at the door waiting for our mistress, I knew; and being a kind-hearted lad, he came in at once; and seeing Emma in tears, and hearing the story,[Pg 70] told he had taught me the song, and she knew nothing about it. Though my mistress said she was satisfied with Tom's explanation, she was still angry, and ordered poor Emma to take off her finery and remain at home. After she was gone, Emma took my cage into the garden, where I was often allowed to remain for hours. But I was very much surprised when she took me out and allowed me to sit on her hand, much to little Dido the Italian grayhound's indignation, for he was always a jealous animal. I really believe she wanted me to fly away then and there. But, as I told you before, Master Herbert, I never was of a restless turn, and had no ambition to leave my home. Seeing this, she gave me a great twist by the toes to put me back into the cage; but as she pinched me very hard, I tried, in self-defence, to bite her,[Pg 71] and in the scuffle she broke a piece of my toe off, which has never grown on again. But whenever I look at it I am reminded, if revenge is sweet, it doesn't escape without something bitter too; and Miss Emma no doubt felt the same, because I left my mark for ever upon her soft white arm."

"Thank you, Polly," said Herbert. "I see the fairy is right in saying you have many useful lessons to teach; but I must now go and see what Mr. Cockatoo is about. I do hope he hasn't flown away, for Uncle James would never forgive me for letting him off, he thinks so much of his beautiful plumage."

Herbert had a good hunt all over the grounds for the cockatoo, and was just going to give him up, when, as he approached the summer-house, he heard him chattering, and trying to say, "Pretty Cockatoo."[Pg 72]

"Oh, you're there, are you?" said Herbert. "It's past the time I allowed you to stay out, so come along, old fellow,—a bargain's a bargain."

"Just one more flight, sir," said the cockatoo. "My wings are so stiff, I've only taken a very few."

Herbert having consented, away flew the cockatoo down on to the path; but at that moment a huge cat, which lived outside, and which had a lively young family of five kittens, under the summer-house, saw the bird and made a pounce at him, catching him by the feathers of his tail. Fortunately Herbert saw what had happened, and before the cockatoo had time to scream, he had pitched his cap at Mrs. Puss, and then drove her away with the branch of a tree lying near. Mr. Cockatoo was shaking with fright, and was thankful to find himself inside[Pg 73] his cage once more, with the door securely shut. For some time after, when Herbert urged him to take a little exercise, he refused, saying that he agreed with Mrs. Polly in thinking that, as they were now in a foreign country, flying about did not seem to suit his health, and that there were worse places than his cage.

Some days after, Herbert's cousins came to pay him a visit; and as Minnie was recovering from a severe illness, the sofa was taken out of doors, and placed under the spreading branches of an oak-tree. There she lay, enjoying the fresh cool air that wafted along under the branches; while Herbert read aloud her last new book to her and her sister Grace. Polly, who had taken a great fancy to Minnie, had requested Herbert to place her perch close to them; for, though she liked to be out of doors, her terror of cats was so great,[Pg 74] that unless she was closely guarded she preferred to remain in her cage. It was a book on natural history Herbert was reading from. In the midst of a dry description of the habits of the humming-bird, he suddenly broke out with——

"'The humming-bird! the humming-bird!
So fairy-like and bright
It lives among the sunny flowers,—
A creature of delight!

"'In the radiant islands of the East,
Where fragrant spices grow,
A thousand thousand humming-birds
Are glancing to and fro!'"

"Oh! how beautiful they must be!" exclaimed Herbert, pausing in the reading. "How delightful it must be to visit foreign countries! Only think of 'a thousand thousand humming-birds!'"[Pg 75]

cover
HERBERT AND HIS COUSINS. Page 74.

[Pg 76]

"Do you know," said Grace, "when I was a little thing, I used to lie awake at night and think of all the different animals and birds and fishes there are in the world,[Pg 77] till I declare I got so frightened I used to scream out. Nurse used to call it the nightmare; but it was no such thing. I wish I could have thought of only the humming-birds—it would have been lovely."

"Cheer up, Sam!" sung Mrs. Polly from her perch, in a very pathetic voice, which set the children laughing heartily; for somehow, as Minnie said, Polly always knew how to bring in her wise sayings just when they were wanted,—and there was no doubt she was the very cleverest parrot that ever lived.

It was during the visit his cousins paid Herbert, that the great macaw arrived from Uncle James; and Herbert was delighted to find he was not a wild specimen, as he had supposed, but quite an educated one. They called him the "Great Mogul;" but though he was[Pg 78] tamed, he had learned so many bad words from the sailors, that Herbert thought it would be better to keep him separate from Mrs. Polly and the cockatoo till he had forgotten them. He was a very greedy bird, and ate so fast that he was constantly dropping the best parts in his hurry to get some more. Dash, a little terrier belonging to Herbert's cousins, was not long in finding this out; and whenever he saw the boys feeding the parrots, off he would go and seat himself at the foot of the perch. He used to sit up and beg all the time, and evidently thought the pieces were thrown down to him out of pure good-nature; for he was always exceedingly polite to the parrots, and when he heard them shrieking at sight of the cats, would bark and drive them away.[Pg 79]

[Pg 80]

cover
THE "GREAT MOGUL". Page 78.

"I can't say I admire the appearance[Pg 81] of the 'Great Mogul,'" said Charley laughing; "he has such ugly bare cheeks."

"Oh! but look at his beautiful tail; and could anything be more beautiful than those scarlet feathers?—and see to his blue wings! I don't wonder he is considered the most magnificent of the parrot tribe."

"It is certainly a very beautiful bird," said Charley; "but I've read somewhere about it looking like a richly-liveried footman, and whoever said so was not far wrong."

Dash had slipped away when he found there were no more pieces to be got from the macaw; and when Herbert and Charley went into the room where Mrs. Polly and the cockatoo stayed, there they found him, sitting at the foot of Cockatoo's perch begging for a dainty morsel. The cockatoo was chattering away to him; but[Pg 82] had Dash only known all the severe names he was being called, he would scarcely have sat there so calmly. Polly, however, who had a greater command of the English language, was doing her best to restrain his greedy disposition. "Oh fie, sir!" she kept saying. "Greedy Dick!—Who stole the sugar?—Leave the room this moment!—Oh fie, sir!"

Dash did lay back his ears and look round, a good deal ashamed of himself; but he could not tear himself away so long as the cockatoo held that tempting morsel. The greedy dog knew that both the cockatoo and Polly never held anything long, and that if he only had patience he would get it in the end. Polly was calling out for the twentieth time—"Leave the room, sir!—Greedy Dick!—Oh fie! fie!" when Herbert and Charley entered.[Pg 83]

"Why, what's the matter, Polly?" said Herbert. "It's not a good thing to lose your temper in that way. Come, tell us who this greedy Dick is, that you are always sending out of the room."

Charley was always delighted to be with Herbert when he fed the parrots; for though he did not understand their language, as Herbert did, his cousin acted as interpreter, and some of the stories were really very entertaining. The other children were often there too; and over and over again they vowed to be kind to all living creatures, in the hope that they too would be allowed to understand the language of the birds.

"Yes, sir; I shall be most happy to tell you about greedy Dick," said Polly. "But I should like to see the new parrot. Cockatoo there says he is so beautiful that we are thrown quite into the[Pg 84] shade, and he has been mourning ever since."

"Well, at present I really cannot let you see him," said Herbert. "He says such naughty words, that I am forced to keep him in a room by himself; but if you like, I can show you a picture of him, or of some birds like him in their native woods." Here Herbert ran off for his book on natural history; and while he was gone, Polly entertained Charley as well as she could till Herbert's return. Polly admired the picture very much; but said, though his plumage was very fine, no doubt, she did not like the expression of his face—though she dared say it was not a good likeness. She said this out of civility, but all the time she thought the "Great Mogul" a most unlovable-looking bird, and she was very glad to find herself a gray parrot instead.[Pg 85]

"And now, Polly, since I have shown you the picture," said Herbert, "tell us about greedy Dick."

"It is a sad story, Master Herbert," said Polly, shaking her head and moving about her perch very slowly. "Oh dear!—oh dear!" she continued in English; "I'm really quite—oh fie! fie!" Then in her own language she went on to say: "Dick came to stay with a lady I had the pleasure of residing with, after I left my old friend who had the maid. I was really a fine-looking bird at that time;" and here Polly flounced out her feathers coquettishly, as if she were still a young bird. "I did like living there; no servants ever were allowed to wait upon me, for the young ladies of the house were so fond of me they fed me with their own fair hands. Dick was their nephew, and a nice-looking boy,—clever, too,—very;[Pg 86] but he had one bad habit that grieved his aunts very much. At all his meals he would keep stuffing and stuffing himself, just like a little pig feeding for market. He always chose the daintiest dishes, and would look so ill-natured if any of his aunts happened to say, 'Why, Dick, you will die of apoplexy; you have been helped to that pudding three times.'

"He never knew when to stop, and oh dear! though he was a good-looking boy enough, how ugly he did look when he was eating! His Aunt Mary, and my favourite mistress, used to say so often, 'Greedy Dick,' that I very soon picked up the words; and when I saw him slipping into the press to steal the sugar, I would call out—'Oh fie! fie!—who stole the sugar?' His aunts used to tell him that even a bird had more sense, and used to beg him to take an example from me;[Pg 87] for I did not gobble up everything I got at once, but put it in my tin dish till I was hungry. Ah! Master Dick knew that very well indeed; and many a time had he slipped up and stolen my piece of sweet-cake, or other dainty.

"One day his Aunt Mary came to my perch and said, 'Come now, Polly; you shall have this nice piece of sugar if you will say 'Pretty Mary.' I had tried hard for ever so long to say it, but somehow my tongue would not twist out the exact words. But I was not pleased with Miss Mary for asking me to say it for a bribe; she ought to have known me better, I thought, and I sat quite silent, determined not even to say 'Pretty Polly.'

"'Oh now, Polly, that is naughty!' she said, seeing my sulky looks. 'Well, you shall have it if you take it out of my mouth.'[Pg 88]

cover
PRETTY MARY. Page 88.

"Of course I could not object to that," said Polly with a laugh; "So I stepped on to her finger as desired, and took the bit of sugar from her pretty red lips, and put it into my tin dish. Then, to show her I was grateful for her kindness, I cried out, 'Mary! pretty Mary!' and she was so pleased, she wanted me to have another piece of sugar as a reward; but I would not have it. No; I made my little speeches for love, and not[Pg 89] for sugar.

"When I was sitting quietly thinking of things in general, and my mistress in particular, Master Dick, who had been sitting at the window all the time, and saw what his aunt had given me, and where I had put[Pg 90] it, came stealthily across the lawn; and putting up his hand took hold of my piece of sugar.

"Now, I had determined in my own mind I would punish him the very first [Pg 91]opportunity; so I flew upon him in a moment; and catching hold of the sleeve of his coat, held it fast with my claws. He tried to shake me off, but I flew on to his head before he could get away; and I do not know who screamed the loudest. Aunt Mary and one or two of the servants came running out; but though they tried to get me on to my perch, I kept calling, 'Who stole the sugar? Oh fie! greedy Dick!'

"The boy had been so frightened that he forgot to drop the sugar; and on his aunt opening his hand, there it was, safe enough. She had seen him from her room window take it out of my dish; and when I at last allowed her to lift me on to my perch, she gave Master Dick such a beating that he did not steal my sugar any more.—But, Master Herbert, there is something the matter with the cockatoo,"[Pg 92] said Polly; "I hear him saying some angry words to somebody in the garden."

On looking out of the window, Herbert saw his cousin Grace standing with a young visitor before the cockatoo's perch. Jane, the visitor, was calling him "Ugly Cocky! bad Cocky! ugly Cockatoo!" and telling him that all the nice things would be given to the pussy cat, and everything disagreeable to him. She was doing this for no reason whatever, except that she once heard her brother speaking to a parrot in this manner to see it made angry; and poor Cockatoo, who always considered himself a very pretty bird, and had never been spoken to so unkindly before, was certainly ruffled enough.

"Pretty Cockatoo," he said in reply, looking from Jane to Grace, who could not bear to annoy the poor bird.[Pg 93]

"Oh, don't speak so, Jane," said Grace; "Cockatoo is such an amiable, pretty bird! He has been so good-natured ever since we came; and Herbert says he is trying to be contented, though of course he greatly prefers to live in his native woods, poor bird."

"But how does Herbert know the cockatoo likes that?" said Jane.

"Oh, because a fairy gave him permission to understand the language of the birds," replied Grace; "and the cockatoo told him his whole history."

"Oh dear! how funny!" said Jane. "I wonder if the fairy would give me permission!"

"No, I don't think so," said Grace; "people must be very kind to all the animals, both great and small, else the fairy will not give them that power. But Herbert says, if we are very kind to the[Pg 94] animals, even although we do not understand their language exactly as he does, we will get to understand a different kind; and by the expression in their eye, and by their voice, will know when they are happy or sad. Now, you always kill every insect and fly you see."

"I really can't help killing them. I wonder why they were made at all," said Jane.

"But, Jane, do you never think how displeased God must be if you kill even a beetle?" said Grace. "I remember reading somewhere——

'The poor beetle that we tread upon,
In corporal sufferance finds a pang as great
As when a giant dies.'"

"I can't help it," said Jane; "I do hate beetles; and even if they do suffer, I must kill them."

By this time the two girls had come[Pg 95] close to the place where Herbert and Charley were, and they heard what Jane said quite plainly. Herbert was about to express his indignation, when Polly called out, "I'm shocked! leave the room! murder! oh dear! oh fie!"

"You may well say so, Polly," said Herbert. "I cannot understand how any one can kill one of God's creatures—more especially a girl."

That afternoon, when the children were busily engaged playing at blowing soap bubbles, Jane stole out into the garden, and crossed over to where Polly was sitting among the bushes. Of late Mrs. Polly had rather enjoyed being set at liberty, and, with Cockatoo, would sometimes defy the cat and her kittens. Coming up to her now, Jane began to tell Polly she never meant to kill an animal or an insect again; and that she meant to[Pg 96] strive very hard, in the hope that the good fairy would let her understand the language of the birds.

Herbert, who had been playing as busily as any of his cousins, began to notice that the cockatoo was a good deal afraid of the airy soap bubbles—especially when they lighted on his back—and so he took him off his perch as quietly as possible, not to disturb the game, and carried him away, to place him beside Mrs. Polly. By this means he had overheard Jane's speech.

"I am very glad to hear you say so," he said. "I am sure if you would only take the trouble to examine a little more closely the insects you are so fond of killing, you would be surprised at their beauty. I will lend you my book, if you like. I really cannot understand why boys and girls take such little interest in[Pg 97] natural history. Speaking of fairies, you will read of them there in the shape of the butterflies—what can be more fairy-like?—and I will tell you what mamma often says: if we only knew what pleasure we could draw from common objects around us, rainy days would be less dreary, and we should have happier hearts and more contented minds."

"I feel you are right there, Master Herbert," said the cockatoo. "I have felt twice as happy since Mrs. Polly persuaded me to make the most of my present condition; and I ought to have known it by experience—having brought all my troubles upon myself by cherishing a discontented spirit."

"Ah, children, children," said Mrs. Polly, with a wise shake of her head, "when you come to look back upon life from as long a pilgrimage, you will see[Pg 98] that the busier you are, and the more good you do, there will be less inclination to be discontented. And with such a beautiful world around you, and so much to learn about it, and the wise lessons it can teach, who would be anything but contented?—But I am keeping you from your companions, Master Herbert, so I must wish you good-day, sir. Good-day, miss," said Polly in English; "I'll now take a nap;" and with that she laid her head on her back, and went off to sleep.

As Cockatoo followed her example, Herbert knew by experience no more could be got out of them; and with a united "Good-bye, dear old Polly! Good-bye, Cockatoo!" Herbert and Jane returned to the house and were soon sending a whole fleet of soap-bells up into the sunshine.[Pg 99]


ART GIFT-BOOKS.

A SERIES OF FIRST-CLASS AND RICHLY ILLUSTRATED BOOKS ON NATURE AND NATURAL HISTORY.

THE BIRD WORLD—DESCRIBED WITH PEN AND PENCIL. By the Author of "The Arctic World," &c. Beautifully Illustrated with Fifty-one Full-page and upwards of One Hundred other Engravings, from designs by Giacomelli, and engraved by Rouget, Berveiller, Méaulle, Sargent, Whymper, and Morison. Imperial 8vo, full gilt side and gilt edges. Price 10s. 6d.

Not intended to usurp the place of a manual of zoology; but in language full of beauty and tenderness, it presents us with sketches of bird life. Beautiful as many parts of the text are, the chief charm of the book lies in the illustrations which adorn its pages. They were drawn and engraved expressly for this work, and from their admirable fidelity to nature, their combined grace, and strength, and delicacy, constitute the claim of the present volume to the public favour.

THE BIRD. By Jules Michelet, Author of "History of France," &c. Illustrated by Two Hundred and Ten Exquisite Engravings by Giacomelli. Imperial 8vo, full gilt side and gilt edges. Price 10s. 6d.

Not a book of ornithological science, but a history of the Bird in its most picturesque and poetical aspects, from the egg in the nest to the "triumph of the wing" in the sea-eagle. We have described here birds of the Polar Regions and of the Tropics; birds of passage, birds of prey; the song of the nightingale and of the robin, &c. The exquisite illustrations introduce varied kinds of landscape scenery.

THE INSECT. By Jules Michelet. With One Hundred and Forty Illustrations, drawn specially for this edition by Giacomelli, and engraved by Rouget, Berveiller, Méaulle, Jonnard, Whymper, Sargent, and other eminent Artists. Imperial 8vo, cloth, richly gilt. Price 10s. 6d.

This volume treats of the poetry rather than the science of entomology. Three "books" describe groups of insects, in regard to their metamorphoses, their industries, their social communities. The beautiful illustrations combine flowers and landscapes with insect life.

NATURE; or, The Poetry of Earth and Sea. From the French of Mme. Michelet. With upwards of Two Hundred Illustrations drawn specially for this Work by Giacomelli (Illustrator of "The Bird"), and engraved by the most eminent French and English Artists. Imperial 8vo, cloth, richly gilt. Price 10s. 6d.

A volume of picturesque description, beautifully illustrated, of garden scenes, pastoral and woodland landscapes, mountains and valleys, lake and river scenery, and the sea-coasts, in many and widely varying lands.[Pg 100]


ELEGANT GIFT-BOOKS.

RICHLY ILLUSTRATED.

THE FAMOUS PARKS AND GARDENS OF THE WORLD, Described, and Illustrated. With upwards of Eighty Fine Engravings. Imperial 4to, handsomely bound in cloth, full gilt. Price 15s.

A popular description of Remarkable Parks and Gardens, public and private, ancient and modern, interspersed with illustrative anecdotes and notes on the history of Gardening. Beginning with the Gardens of Antiquity, those of Rome and Greece and the Eastern World, we pass on to the Medieval Gardens, the Gardens of the Renaissance, the Modern Gardens of Europe and Great Britain, and those which are now most celebrated abroad and at home.

THE ARCTIC WORLD ILLUSTRATED: Its People, Plants, Animals, and Natural Phenomena. With a Historical Sketch of Arctic Discovery, and a Narrative of the British Expedition of 1875-76. By the Author of "The Mediterranean Illustrated." With Twenty-five Full-page and One Hundred and Twenty other Engravings, and Map of the Polar Regions. Royal folio, cloth extra, gilt edges. Price 15s.

A volume of picturesque rather than scientific descriptions of Arctic scenery, with its "wonders of sky and sea and land;" intended to "place before the reader, with bold touches, a picture of that Polar World which is so awful and yet so fascinating."

THE MEDITERRANEAN ILLUSTRATED. Picturesque Views and Descriptions of its Cities, Shores, and Islands. By the Author of "Pompeii and Herculaneum," "Catacombs of Rome," &c. The Illustrations in this Beautiful Volume comprise Thirty Full-page, and upwards of One Hundred and Forty other Engravings, &c.; and also a Tinted Map. Royal folio, cloth extra, full gilt. Price 15s.

It has been the writer's aim to record the events that have had the greatest influence on the world's history, and not to gather up every local detail; to recall those recollections which are of a picturesque or chivalrous character, and not to imitate the copiousness of the chronicler. He has not sought to be exhaustive, for that would be impossible; but rather to touch upon such points as necessarily become conspicuous in any boldly-painted picture.


FOR THE YOUNG.

THE WORLD AT HOME: Pictures and Scenes from Far-off Lands. By Mary and Elizabeth Kirby. With 100 Engravings. Small 4to, gilt edges. Price 6s.

A book for the young, containing, in a number of short conversational sections, a great variety of geographical information, facts of natural history, and personal adventure; intended to bring the world, so full of wonders, to our own firesides.

THE SEA AND ITS WONDERS. By M. and E. Kirby. With 174 Illustrations. Small 4to, gilt edges. Price 6s.

A book for the young, not strictly scientific, but giving, in a conversational style, much varied information regarding the sea, its plants and living inhabitants, &c.

SHAKESPEARE'S STORIES SIMPLY TOLD. By Mrs. Seamer. With 130 Engravings. Square 12mo, gilt edges. Price 3s. 6d.[Pg 101]


WORKS BY DR. HODGE, PRINCETON.

SYSTEMATIC THEOLOGY. By the late Charles Hodge, D.D., Professor in the Theological Seminary, Princeton, New Jersey. Three Vols. Royal 8vo. Price £2, 2s. Index Vol., 3s. 6d. extra.

"The comprehensiveness and lucidity of this work make it an invaluable book of reference to every student of Biblical Theology. If we were called to name any living writer who, to Calvin's exegetical tact, unites a large measure of Calvin's grasp of mind and transparent clearness in the department of systematic theology, we should point to this Princeton Professor. He possesses, to use the words of an English critic, the power of seizing and retaining with a rare vigour and tenacity the great doctrinal turning-points in a controversy; while he is able to expose with triumphant dexterity the various subterfuges under which it has been sought to elude them."


COMPANION VOLUME TO "SYSTEMATIC THEOLOGY."

THE CHURCH AND ITS POLITY. By the late Charles Hodge, D.D. Royal 8vo, cloth. Price 12s. 6d.

Contents.—Idea of the Church—Theories of the Church—Visibility of the Church—Perpetuity of the Church—Principles of Christian Union—Province of the Church—Relation of the Church and State—Presbyterianism—The Church of England—The Presbytery—The General Assembly, &c., &c.

PRINCETON SERMONS. By the late Charles Hodge, D.D. One Volume, Royal 8vo. 390 pages. Price 10s.

This remarkable Work consists of Outlines of Two Hundred and Forty-nine Sermons delivered at Princeton Theological Seminary on Sabbath afternoons.


NEW EDITION, RE-WRITTEN AND ENLARGED.

OUTLINES OF THEOLOGY. By the Rev. A. A. Hodge, D.D., Princeton. One Volume, Royal 8vo, cloth. 678 Pages. Price 10s.

"Since the first publication of this book, the evidences of the fact that it met a public need have been multiplying. Its sale in Great Britain and America has continued. It has been translated into Welsh and Modern Greek, and used in several theological training-schools. It is again offered to the Christian Church, not as a complete treatise of Systematic Theology, for the use of the proficient, but as a simple Text-Book, adapted to the needs of students taking their first lessons in this great science, and to the convenience of many earnest workers who wish to refresh their memories by means of a summary review of the ground gone over by them in their earlier studies."—Author's Preface.[Pg 102]


DEVOTIONAL AND RELIGIOUS WORKS.

FROM DAY TO DAY; or, Helpful Words for Christian Life. (Daily Readings for a Year.) By the Rev. Robert Macdonald, D.D., Leith. In one volume. Crown 8vo, handsomely bound in cloth. 650 pages. Price 7s. 6d.

CHRISTIAN DAILY LIFE. By Hetty Bowman, Author of "Life: its Duties and its Discipline." Royal 18mo. Price 1s. 6d.

THE STILL HOUR; or, Communion with God. By the Rev. Austin Phelps. Royal 18mo. Price 1s.

LITTLE THINGS. Little Duties—Little Kindnesses—Little Efforts—Little Cares—Little Pleasures—Little Sins. Royal 18mo, cloth. Price 1s.

PASTOR'S SKETCHES: or, Conversations with Anxious Inquirers on the Way of Salvation. By the Rev. J. S. Spencer, D.D. Complete Edition. Post 8vo. Price 3s. 6d.

WITHIN THE GATES; or, Glimpses of the Heavenly Jerusalem. By the Rev. J. D. Burns, Author of "Vision of Prophecy," &c. 18mo. Price 1s. 6d.

THE EVENING HYMN. By the Rev. J. D. Burns, Author of "Vision of Prophecy," &c. 18mo. Price 1s. 6d.

PALEY'S HORÆ PAULINÆ; or, The Truth of the Scripture History of St. Paul evinced by a Comparison of the Epistles which bear his name with the Acts of the Apostles, and with one another. A New Edition, with Introduction, Notes, and Questions by William Binnie, D.D. Post 8vo. Price 1s. 6d.

PATERSON ON THE SHORTER CATECHISM. 18mo. Price 1s. 6d.

BOGATSKY'S GOLDEN TREASURY. Edited and Enlarged by the late Rev. James Smith. 24mo. Price 1s. 6d.

BOGATSKY'S GOLDEN TREASURY. 32mo, red line edition. Price 1s.

DAILY BIBLE READINGS. By the late Rev. James Smith. 32mo, red line edition. Price 1s. 6d.


WORKS BY THE AUTHOR OF "EZEKIEL."

ELIJAH, AND OTHER POEMS. Crown 16mo. Cloth extra, gilt edges. Price 3s. 6d.

EZEKIEL, AND OTHER POEMS. By B. M. Square 16mo, cloth extra, gilt edges. Price 3s. 6d.


WORKS BY THE LATE REV. WILLIAM ARNOT.

LAWS FROM HEAVEN FOR LIFE ON EARTH. Crown 8vo, cloth. Price 7s. 6d.

THE PARABLES OF OUR LORD. Crown 8vo, cloth. Price 7s. 6d.

THE ANCHOR OF THE SOUL, and Other Sermons. Crown 8vo, cloth. Price 5s.

LESSONS FROM LIFE. A Book of Stories and Teachings for the Young. Foolscap 8vo, cloth. Price 2s. 6d.[Pg 103]


THE "SCHÖNBERG-COTTA" SERIES.

Crown 8vo, cloth. Price 6s. 6d. each.

CHRONICLES OF THE SCHÖNBERG-COTTA FAMILY. A tale of German family-life in the times of Luther, including much of the personal history of the great Reformer.

JOAN THE MAID: Deliverer of England and France. A Story of the Fifteenth Century.

THE VICTORY OF THE VANQUISHED. A Story of the First Century.

DIARY OF MRS. KITTY TREVYLYAN. A Story of the Times of Whitefield and the Wesleys.

THE DRAYTONS AND THE DAVENANTS. A Story of the Civil Wars.

ON BOTH SIDES OF THE SEA. A Story of the Commonwealth and the Restoration.

WINIFRED BERTRAM, AND THE WORLD SHE LIVED IN.

SKETCHES OF CHRISTIAN LIFE IN ENGLAND IN THE OLDEN TIME.


TALES BY ANNIE LUCAS.

WENZEL'S INHERITANCE; or, Faithful unto Death. A Tale of Bohemia in the Fifteenth Century. Crown 8vo, cloth extra. Price 6s. 6d.

THE CITY AND THE CASTLE. A Story of the Reformation in Switzerland. Crown 8vo, cloth extra. Price 6s. 6d.

LEONIE; or, Light Out of Darkness: and WITHIN IRON WALLS. A Tale of the Siege of Paris. Twin-Stories of the Franco-German War. Crown 8vo, cloth extra. Price 6s. 6d.


BY M. FILLEUL.

PENDOWER, A Story of Cornwall in the Reign of Henry the Eighth. Crown 8vo, cloth extra. Price 6s. 6d.


TALES BY THE AUTHOR OF "THE SPANISH BROTHERS."

UNDER THE SOUTHERN CROSS. A Tale of the New World. Crown 8vo, cloth. Price 6s. 6d.

THE SPANISH BROTHERS. A Tale of the Sixteenth Century. Crown 8vo, cloth extra. Price 6s. 6d.

NO CROSS NO CROWN; or, The Dark Year of Dundee. A Tale of the Scottish Reformation. With Seven Illustrations. Post 8vo. Price 3s. 6d.[Pg 104]


THE A. L. O. E. SERIES.

RICHLY ILLUSTRATED, AND ELEGANTLY BOUND.

At FIVE SHILLINGS each. Crown 8vo.

EXILES IN BABYLON. With Thirty-four Engravings.

THE SHEPHERD OF BETHLEHEM. With 40 Engravings.

RESCUED FROM EGYPT. With Twenty-seven Engravings.

HEBREW HEROES. With Thirty Engravings.

THE TRIUMPH OVER MIDIAN. With 28 Engravings.

PRIDE AND HIS PRISONERS. With Forty Engravings.

At THREE SHILLINGS and SIXPENCE each. Post 8vo.

THE YOUNG PILGRIM. A Tale Illustrating the "Pilgrim's Progress." With Twenty-seven Engravings. Gilt edges.

A WREATH OF INDIAN STORIES.

ON THE WAY; or, Places Passed by Pilgrims.

THE CITY OF NOCROSS, and its Famous Physician.

THE LADY OF PROVENCE; or, Humbled and Healed.

CYRIL ASHLEY. A Tale.

CLAUDIA. A Tale.

HOUSE BEAUTIFUL; or, The Bible Museum Opened.

IDOLS IN THE HEART. A Tale.

THE SPANISH CAVALIER. A Story of Seville.

THE HAUNTED ROOM. A Tale.

PRECEPTS IN PRACTICE. Stories Illustrating the Proverbs. Gilt edges.

At THREE SHILLINGS each. Post 8vo.

RAMBLES OF A RAT. Gilt edges.

THE MINE; or, Darkness and Light. Gilt edges.

THE SILVER CASKET; or, Love not the World.

MIRACLES OF HEAVENLY LOVE IN DAILY LIFE.

THE CROWN OF SUCCESS; or, Four Heads to Furnish.

FLORA; or, Self-Deception. Gilt edges.

THE GIANT-KILLER; or, The Battle which All must Fight. Gilt edges.

THE ROBY FAMILY; or, Battling with the World. Gilt edges.

THE ROBBERS' CAVE. A Story of Italy.

WAR AND PEACE. A Tale of the Retreat from Cabul.[Pg 105]

At TWO SHILLINGS and SIXPENCE each. Post 8vo.

FAIRY FRISKET; or, Peeps at Insect Life. Cloth extra.

FAIRY KNOW-A-BIT; or, A Nutshell of Knowledge. Cloth extra.

OLD FRIENDS WITH NEW FACES. Plates. Gilt edges.

MY NEIGHBOUR'S SHOES. Gilt edges.

At TWO SHILLINGS each. Post 8vo.

THE HOLIDAY CHAPLET. A Book of Stories.

THE SUNDAY CHAPLET. A Book of Stories.

At ONE SHILLING and SIXPENCE each. Royal 18mo.

THE STORY OF A NEEDLE. Illustrated.

WINGS AND STINGS. With Sixteen Engravings.

STORIES FROM THE HISTORY OF THE JEWS. With Coloured Frontispiece and Vignette, and Thirty Engravings.

At ONE SHILLING each. Royal 18mo.

UPWARDS AND DOWNWARDS, and Other Stories. With Coloured Frontispiece, and Four Illustrations.

THE OLIVE-BRANCH, and Other Stories. With Coloured Frontispiece, and Sixteen Illustrations.

A FRIEND IN NEED, and Other Stories. With Coloured Frontispiece, and Seven Illustrations.

THE HYMN MY MOTHER TAUGHT ME, and Other Stories. With Coloured Frontispiece, and Twenty-four Engravings.

EDITH AND HER AYAH, and Other Stories. With Coloured Frontispiece, and Sixteen Engravings.

TRY AGAIN, and Other Stories. With Coloured Frontispiece, and Seventeen Engravings.

GOOD FOR EVIL, and Other Stories. With Coloured Frontispiece, and Seven Illustrations.[Pg 106]


BOOKS OF HISTORY AND BIOGRAPHY.


BY ROBERT MACKENZIE.

THE 19TH CENTURY. A History. Crown 8vo. 464 Pages. Price 7s. 6d.

Presenting in a handy form a History of the great events and movements of the present century, in our own country, throughout the British Empire, on the Continent of Europe, and in America.


BY W. F. COLLIER, LL.D.

HISTORY OF ENGLAND. To which is added a History of Our Colonial Empire. Crown 8vo, cloth extra. Price 7s. 6d.


BY THE REV. J. C. RYLE, D.D.

THE CHRISTIAN LEADERS OF THE LAST CENTURY; or, England a Hundred Years Ago. Crown 8vo, cloth. Price 7s. 6d.

THOMAS CHALMERS, D.D.: His Life and its Lessons. By the Rev. Norman L. Walker, Author of "Robert Buchanan, an Ecclesiastical Biography." Post 8vo, cloth. Price 1s. 6d.

RECOLLECTIONS OF ALEXANDER DUFF, D.D., and of the Mission College which he Founded in Calcutta. By the Rev. Lal Behari Day, Author of "Govinda Samanta;" Professor in Government College, Hooghly. Post 8vo, cloth. Price 3s. 6d.

THE STORY OF SIR DAVID WILKIE: His Life and Works. By Adam L. Simpson, D.D., Derby. With Sixteen Engravings. Post 8vo, cloth extra. Price 2s.

SELF-TAUGHT MEN. A Series of Biographies. With Four Illustrations. Post 8vo, cloth. Price 2s. 6d.

STORIES OF THE LIVES OF NOBLE WOMEN. By W. H. Davenport Adams. Post 8vo, cloth. Price 2s. 6d.

JANE TAYLOR: Her Life and Letters. By Mrs. H. C. Knight, Author of "No Pains, No Gains," &c. Post 8vo, cloth. Price 2s.

HEROES OF THE DESERT. The Story of the Lives and Labours of Moffat and Livingstone. With Frontispiece and Vignette. By the Author of "Mary Powell." Post 8vo, cloth extra. Price 3s. 6d.

"ABOVE RUBIES;" or, Memorials of Christian Gentlewomen. By Miss C. L. Brightwell. Post 8vo, cloth extra, gilt edges. Price 3s. 6d.

LIVING IN EARNEST: Lessons and Incidents from the Lives of the Great and Good. By Joseph Johnson. Post 8vo, cloth. Price 2s. 6d.

LIVING TO PURPOSE. A Book for Young Men. By Joseph Johnson. Post 8vo, cloth. Price 2s. 6d.

MEMORIALS OF EARLY GENIUS, AND REMARKABLE RECORDS OF ITS ACHIEVEMENTS. By the Author of "Success in Life." Post 8vo, cloth extra. Price 2s. 6d.

RECORDS OF NOBLE LIVES. By W. H. Davenport Adams. Post 8vo, cloth. Price 2s. 6d.[Pg 107]


BOOKS FOR BOYS.

ALMOST A HERO; Or, School Days at Ashcombe. By Robert Richardson, Author of "The Young Cragsman," "The Boys of Willoughby," &c. With Seven Engravings. Post 8vo, cloth extra. Price 3s. 6d.

THE BOY'S COUNTRY BOOK. By William Howitt. Post 8vo, cloth. With Illustrations. Price 3s. 6d.

From "Edinburgh Review," July 1879.—"To our mind William Howitt's 'Boy's Country Book' is the best of the kind that has ever been written, and the publishers would do a kindness to the boys of the day if they were to bring it out in a new edition. It describes the life of a country lad some sixty years ago, and the descriptions are for the most part as true to nature now as then. Like all his later works, it has the force of most faithful delineation; and there is a fresh exuberance of hearty appreciation of those innocent pleasures in which his days flew by."

CULM ROCK. Foolscap 8vo, cloth extra. Price 2s. 6d.

THE CASTAWAYS. A Story of Adventure in the Wilds of Borneo. By Captain Mayne Reid. With Twenty-six Engravings. Post 8vo, cloth extra. Price 3s. 6d.

THE ADVENTURES OF MARK WILLIS. By Mrs. George Cupples. Author of "The Little Captain," &c. With Forty-five Engravings. Royal 18mo, cloth. Price 1s. 6d.

THE YOUNG CRUSOE. By Mrs. Hofland. With Fourteen Engravings. Royal 18mo, cloth. Price 1s. 6d.

WHAT SHALL I BE? or, A Boy's Aim in Life. Illustrated. Foolscap 8vo, cloth. Price 2s.

HOME PRINCIPLES IN BOYHOOD, and Other Stories for the Young. Post 8vo, cloth. Price 2s.

FRANK MARTIN; or, The Story of a Country Boy. With Coloured Frontispiece. Foolscap 8vo, cloth. Price 1s. 6d.

NED'S MOTTO; or, Little by Little. With Coloured Frontispiece, and numerous Engravings. Royal 18mo, cloth. Price 1s. 6d.

TOM TRACY; or, Whose is the Victory? Illustrated. Foolscap 8vo, cloth. Price 1s. 6d.

NUTS FOR BOYS TO CRACK. By the Rev. John Todd, D.D., Author of "Simple Sketches," "The Student's Guide," &c. Royal 18mo. Price 1s. 6d.

THE STORY OF LITTLE ROBINSON OF PARIS; or, The Triumph of Industry. Translated from the French by Lucy Landon. Foolscap 8vo, cloth. Price 1s. 6d.

THE SWISS FAMILY ROBINSON; or, Adventures of a Father and his Four Sons on a Desolate Island. With Twenty Engravings. Foolscap 8vo, cloth. Price 2s. 6d.

ROBINSON CRUSOE. With Twenty-two Illustrations. Foolscap 8vo, cloth. Price 2s. 6d.[Pg 108]


BY W. H. G. KINGSTON.

IN THE EASTERN SEAS; or, The Regions of the Bird of Paradise. A Tale for Boys. With One Hundred and Eleven Illustrations. Crown 8vo, cloth, richly gilt. Price 6s.

IN THE WILDS OF AFRICA. With Sixty-six Illustrations. Crown 8vo, cloth, richly gilt. Price 6s.

ROUND THE WORLD. A Tale for Boys. With Fifty-two Engravings. Crown 8vo, cloth extra. Price 5s.

OLD JACK. A Sea Tale. With Sixty Engravings. Crown 8vo, cloth extra. Price 5s.

MY FIRST VOYAGE TO SOUTHERN SEAS. With Forty-two Engravings. Crown 8vo, cloth extra. Price 5s.

THE SOUTH SEA WHALER. A Story of the Loss of the Champion, and the Adventures of her Crew. With Thirty Engravings. Crown 8vo, cloth extra. Price 5s.

SAVED FROM THE SEA; or, The Loss of the "Viper," and the Adventures of her Crew in the Desert of Sahara. With Thirty-two Engravings. Crown 8vo, cloth extra. Price 5s.

THE YOUNG RAJAH. A Story of Indian Life and Adventure. With Forty-four Engravings. Crown 8vo, cloth. Price 5s.

THE WANDERERS; or, Adventures in the Wilds of Trinidad and up the Orinoco. With Thirty-one Engravings. Crown 8vo, cloth. Price 5s.

TWICE LOST. A Story of Shipwreck, and Adventure in the Wilds of Australia. With Forty-six Engravings, Crown 8vo, cloth. Price 5s.

THE YOUNG LLANERO. A Story of War and Wild Life in Venezuela. With Forty-four Engravings. Crown 8vo, cloth. Price 5s.

IN THE ROCKY MOUNTAINS. A Tale of Adventure. With Forty-one Engravings. Post 8vo, cloth. Price 3s. 6d.

IN NEW GRANADA; or, Heroes and Patriots. A Tale for Boys. With numerous Engravings. Post 8vo, cloth. Price 3s. 6d.

AFAR IN THE FOREST. A Tale of Settler Life in North America. With Forty-one Full-page Engravings. Post 8vo, cloth extra. Price 3s. 6d.

STORIES OF THE SAGACITY OF ANIMALS. With Sixty Illustrations by Harrison Weir. Post 8vo, cloth. Price 3s. 6d.


ILLUSTRATED EDITIONS.

THE LIFE AND STRANGE ADVENTURES OF ROBINSON CRUSOE, OF YORK, MARINER. Written by Himself. Carefully Reprinted from the Original Edition. With an Introductory Memoir of Daniel De Foe, a Memoir of Alexander Selkirk, an Account of Peter Serrano, and other Interesting Additions. Illustrated with upwards of Seventy Engravings by Keeley Halswelle. With a Portrait of De Foe, a Map of Crusoe's Island, De Foe's Tomb, Facsimiles of Original Title-Pages, &c., &c. Crown 8vo, cloth extra. Price 3s. 6d.

THE SWISS FAMILY ROBINSON; or, Adventures of a Shipwrecked Family on a Desolate Island. Unabridged. With upwards of Three Hundred Engravings. Crown 8vo, cloth extra. Price 3s. 6d.[Pg 109]


BOOKS FOR BOYS.

TALES OF ADVENTURE AND ENTERPRISE.


BY R. M. BALLANTYNE.

HUDSON BAY; or, Everyday Life in the Wilds of North America. With Forty-six Engravings. Crown 8vo, cloth extra. Price 5s.

THE YOUNG FUR-TRADERS. A Tale of the Far North. With Illustrations. Post 8vo, cloth. Price 3s. 6d.

UNGAVA. A Tale of Esquimaux Land. With Illustrations. Post 8vo, cloth. Price 3s. 6d.

THE CORAL ISLAND. A Tale of the Pacific. With Illustrations. Post 8vo, cloth. Price 3s. 6d.

MARTIN RATTLER; or, A Boy's Adventures in the Forests of Brazil. With Illustrations. Post 8vo, cloth. Price 3s. 6d.

THE DOG CRUSOE AND HIS MASTER. A Tale of the Western Prairies. With Illustrations. Post 8vo, cloth. Price 3s. 6d.

THE GORILLA HUNTERS. A Tale of Western Africa. With Illustrations. Post 8vo, cloth. Price 3s. 6d.

THE WORLD OF ICE; or, Adventures in the Polar Regions. With Engravings. Post 8vo, cloth. Price 3s. 6d.

THE OCEAN AND ITS WONDERS. With Sixty Engravings. Post 8vo, cloth extra. Price 3s.


TALES FOR THE HOME CIRCLE.

LOOK AT THE BRIGHT SIDE. A Tale for the Young. By Joanna H. Matthews, Author of "Little Sunbeams." Post 8vo, cloth extra. Price 2s. 6d.

ISABEL'S SECRET. By the Author of "The Story of a Happy Little Girl." Foolscap 8vo, cloth. Price 3s.

THE STORY OF A HAPPY LITTLE GIRL. By the Author of "Isabel's Secret." Royal 18mo. Price 1s. 6d.

THE BASKET OF FLOWERS. A Tale for the Young. With Coloured Frontispiece and numerous Engravings. Royal 18mo. Price 1s. 6d.

"OUR FATHER WHICH ART IN HEAVEN." A Story Illustrative of the Lord's Prayer. By a Clergyman's Widow. With Coloured Frontispiece and Sixteen Engravings. Royal 18mo. Price 1s.[Pg 110]


TRAVEL AND RESEARCH IN BIBLE LANDS.

THE LAND AND THE BOOK; or, Biblical Illustrations Drawn from the Manners and Customs, the Scenes and Scenery of the Holy Land. By the Rev. W. M. Thomson, D.D. Crown 8vo, 718 pages. With Twelve Coloured Illustrations, and One Hundred and Twenty Woodcuts. Price 7s. 6d., cloth.

THE GIANT CITIES OF BASHAN, AND SYRIA'S HOLY PLACES. By Professor Porter, Author of "Murray's Handbook to Syria and Palestine." With Eight Beautiful Engravings. Post 8vo, cloth extra. Price 7s. 6d.


BOOKS OF VOYAGES, TRAVEL, AND ADVENTURE.

RECENT POLAR VOYAGES. A Record of Adventure and Discovery. From the Search after Franklin to the Voyage of the Alert and the Discovery (1875-76). With Sixty-two Engravings. Crown 8vo, cloth. Price 5s.

GREAT SHIPWRECKS. A Record of Perils and Disasters at Sea—1544-1877. With 58 fine Engravings. Crown 8vo, cloth. Price 5s.

KANE'S ARCTIC EXPLORATIONS. The Second Grinnell Expedition in Search of Sir John Franklin. With Sixty Woodcuts. Crown 8vo, cloth extra. Price 5s.

WRECKED ON A REEF; or, Twenty Months in the Auckland Isles. A True Story of Shipwreck, Adventure, and Suffering. With 40 Illustrations. Post 8vo, cloth extra. Price 3s. 6d.

ON THE NILE. A Story of Family Travel and Adventure in the Land of Egypt. By Sara K. Hunt. With Sixteen Engravings. Post 8vo, cloth extra. Price 3s.

ROUND THE WORLD. A Story of Travel compiled from the Narrative of Ida Pfeiffer. By D. Murray Smith. With Thirty-six Engravings. Post 8vo, cloth. Price 2s.

PICTURES OF TRAVEL IN FAR-OFF LANDS. A Companion to the Study of Geography.—Central America. With Fifty Engravings. Post 8vo, cloth. Price 2s.

PICTURES OF TRAVEL IN FAR-OFF LANDS.—South America. With Fifty Engravings. Post 8vo, cloth. Price 2s.

HOME AMID THE SNOW; or, Warm Hearts in Cold Regions. By Captain Charles Ede, R.N. With Twenty-eight Engravings. Royal 18mo, cloth. Price 1s. 6d.

THE FOREST, THE JUNGLE, AND THE PRAIRIE; or, Tales of Adventure and Enterprise in Pursuit of Wild Animals. With Numerous Engravings. Post 8vo, cloth. Price 2s. 6d.

SCENES WITH THE HUNTER AND THE TRAPPER IN MANY LANDS. Stories of Adventures with Wild Animals. With numerous Engravings. Post 8vo, cloth. Price 2s. 6d.

DR. KANE, THE ARCTIC HERO. A Narrative of his Adventures and Explorations in the Polar Regions. By M. Jones. With Thirty-five Engravings. Post 8vo, cloth. Price 2s.

THE CHILDREN ON THE PLAINS. A Story of Travel and Adventure in the Great Prairies of North America. By the Author of "The Babes in the Basket." With Sixteen Illustrations. Royal 18mo, cloth. Price 1s. 6d.[Pg 111]


NEW SERIES OF PRIZES AND PRESENTATION BOOKS.

THE EUPHRATES AND THE TIGRIS. A Narrative of Discovery and Adventure. With a Description of the Ruins of Babylon and Nineveh. With Eighteen Full-page Illustrations. Post 8vo, cloth extra. Price 2s.

MOUNT SINAI, PETRA, AND THE DESERT. Described and Illustrated. With Twenty-three Full-page Illustrations. Post 8vo, cloth extra. Price 2s.

THE JORDAN AND ITS VALLEY, AND THE DEAD SEA. By the Author of "The Mediterranean Illustrated." Forty-five Engravings. Price 2s.

THE STORY OF IDA PFEIFFER AND HER TRAVELS IN MANY LANDS. With Twenty-five Full-page Engravings. Post 8vo, cloth extra. Price 2s.

THE STORY OF THE LIFE AND TRAVELS OF ALEXANDER VON HUMBOLDT. With Twenty-seven Full-page Engravings. Post 8vo, cloth extra. Price 2s.

THE AMAZON AND ITS WONDERS. With Illustrations of Animal and Vegetable Life in the Amazonian Forest. With Twenty-six Full-page Engravings. Post 8vo, cloth extra. Price 2s.

IN THE FAR EAST. A Narrative of Exploration and Adventure in Cochin-China, Cambodia, Laos, and Siam. With Twenty-eight Full-page Engravings. Post 8vo, cloth extra. Price 2s.

GIBRALTAR AND ITS SIEGES. With a Description of its Natural Features. With Eighteen Full-page Illustrations. Post 8vo, cloth extra. Price 2s.

CALIFORNIA AND ITS WONDERS. By the Rev. John Todd, D.D. A New Edition, carefully revised and brought down to the present time. With Seventeen Full-page Illustrations. Price 2s.


TEMPERANCE TALES.

FIRST PRIZE TEMPERANCE TALE, 1879.

SOUGHT AND SAVED. A Tale By Miss M. A. Paull, Author of "Tim's Troubles; or, Tried and True," "The Vivians of Woodiford," &c. With Six Engravings. Post 8vo, cloth extra. Price 3s. 6d.

To this Tale was awarded the First Prize (£100) offered by the United Kingdom Band of Hope Union.

SECOND PRIZE TEMPERANCE TALE, 1879.

LIONEL FRANKLIN'S VICTORY. By E. Van Sommer. With Six Engravings. Post 8vo, cloth extra. Price 3s. 6d.

This Tale secured the Second Prize (£50).

FRANK OLDFIELD; or, Lost and Found. By the Rev. T. P. Wilson, M.A. With Five Engravings. Post 8vo, cloth. Price 3s. 6d.

TIM'S TROUBLES; or, Tried and True. By M. A. Paull. With Five Engravings. Post 8vo, cloth. Price 3s. 6d.

TRUE TO HIS COLOURS; or, The Life that Wears Best. By the Rev. T. P. Wilson, M.A., Vicar of Pavenham, Author of "Frank Oldfield; or, Lost and Found." Illustrated. Post 8vo, cloth. Price 3s. 6d.[Pg 112]


BOOKS OF PRECEPT AND EXAMPLE.

LIVES MADE SUBLIME BY FAITH AND WORKS. By the Rev. Robert Steel. D.D., Author of "Doing Good," &c. Post 8vo, cloth. Price 2s. 6d.

DOING GOOD; or, The Christian in Walks of Usefulness. Illustrated by Examples. By the Rev. Robert Steel, D.D. Post 8vo, cloth extra. Gilt edges. Price 3s. 6d.

WILLING HEARTS AND READY HANDS; or, The Labours and Triumphs of Earnest Women. By Joseph Johnson. Post 8vo, cloth extra. Price 3s. 6d.

THE THRESHOLD OF LIFE. A Book of Illustrations and Lessons for the Encouragement and Counsel of Youth. By W. H. Davenport Adams. With Six Engravings. Post 8vo, cloth. Price 2s. 6d.

SEED-TIME AND HARVEST; or, Sow Well and Reap Well. A Book for the Young. By the late Rev. W. K. Tweedie, D.D. Post 8vo, cloth. Price 2s. 6d.

SUCCESS IN LIFE. A Book for Young Men. Post 8vo, cloth extra. Price 3s.

THE BOY MAKES THE MAN. A Book of Example and Encouragement for Boys. With Coloured Frontispiece, and numerous Engravings. Royal 18mo, cloth. Price 1s. 6d.


STORIES OF NOBLE LIVES.

EACH WITH COLOURED FRONTISPIECE.

Royal 18mo, cloth. Price 1s.

STORY OF AUDUBON, the Naturalist.

STORY OF HOWARD, the Philanthropist.

STORY OF PALISSY, the Potter.

STORY OF JOHN SMEATON and the Eddystone Lighthouse.

STORY OF DR. SCORESBY, the Arctic Navigator.

STORY OF CYRUS FIELD, the Projector of the Atlantic Cable.

STORY OF BENVENUTO CELLINI, the Italian Goldsmith.

STORY OF SIR HUMPHREY DAVY and the Invention of the Safety Lamp.

STORY OF GALILEO, the Astronomer of Pisa.

STORY OF THE HERSCHELS.

STORY OF THE STEPHENSONS, Father and Son.

STORY OF SAMUEL BUDGETT, the Successful Merchant.

T. NELSON AND SONS, LONDON, EDINBURGH, AND NEW YORK.






End of Project Gutenberg's The Cockatoo's Story, by Mrs. George Cupples

*** END OF THIS PROJECT GUTENBERG EBOOK THE COCKATOO'S STORY ***

***** This file should be named 21685-h.htm or 21685-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/1/6/8/21685/

Produced by Marilynda Fraser-Cunliffe, Janet Blenkinship
and the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was made using scans of
public domain works in the International Children's Digital
Library.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.